There's such a thing as being a little too perfect - a little too shiny. I know I prefer things that have room to breathe and give you a story, a world, in which you have the room to move around.

If you come in with all of the answers, you might create something that's very beautiful and powerful, but I think it will also seem sterile if you don't leave room for people to have their own reactions to it.

I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.

When I think of myself interacting with material that I like, that's the material that inherently appeals to me, that gives me room to have my own reaction.

I think you can safely say that the mystery in 'Twin Peaks' as we started to explore more is very large, there are many aspects to it and the hope is that people will find things that they are interested in in all sorts of things related to the larger mystery.

I don't think I consciously decided to write for the young adult audience; my subconscious decided for me.

The challenge for us is to try and come back and raise the bar above what we did the last time. We're coming back with season three of 'Twin Peaks' after a 25-year absence.

A lot of people always look back at 'Twin Peaks' and say that was the start of this explosion we've had in good television drama, but we did it in a time when there were still only three networks.

I like to take my time with things.

I don't normally associate bingeing of any kind with healthy results in life. And I'm not a binge-watcher by nature myself.